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A Guide to Louise Bourgeois Prints and Their Value

Are you looking to sell your Louise Bourgeois print but don’t know where to start?

At Mark Littler LTD, we make selling your print effortless. Forget the hassle of reaching out to multiple auctioneers and dealers, uncertain about who will provide the best value. Rely on our decades of experience and trusted network to connect you with buyers who guarantee top prices and exceptional service. Let us take the guesswork out of the process, so you can sell with confidence.

Please use the form below to submit images of your Louise Bourgeois print and receive a free, no-obligation valuation from a specialist. We will also actively seek the highest offer from our network of private collectors to help you sell your Louise Bourgeois print.

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    Market Analysis: Louise Bourgeois Print Market 2015-2025

    Analysis from Artprice.com demonstrates that Louise Bourgeois’s print market has maintained relative stability over the past decade, despite notable volatility.

    The market experienced an extraordinary spike in 2018, when turnover reached £764,346—more than four times the decade’s average. This anomaly aside, Bourgeois’s print market has shown remarkable consistency in turnover, hovering between £150,000-£350,000 annually.

    Unlike many contemporary artists, Bourgeois’s market has maintained steady lot numbers, averaging around 42 lots per year. This consistency suggests a mature collector base with sustained interest in her printmaking oeuvre.

    The short-term trend (2020-2024) reveals gradual market growth following the pandemic-affected 2020, though turnover has softened slightly in the past year. Most encouraging is the dramatic improvement in unsold rates, falling from 38% in 2019 to just 7% in 2023, before rising moderately to 23% in 2024.

    This data indicates Bourgeois’s print market remains fundamentally sound, with the artist’s feminist themes and psychological explorations continuing to resonate with collectors.

    Selling Louise Bourgeois Prints: Valuation Guide and Auction Results

    The most sought-after Louise Bourgeois prints are those from her 1947 portfolio, He Disappeared Into Complete Silence. Originally featuring nine engravings, it’s believed fewer than 25 copies were printed in the 1940s, though a second edition was issued in 2005, with two new prints. The 1947 engravings are therefore exceedingly rare due to their age and scarcity; one portfolio sold for £299,212 at Christie’s in April 2018, setting a new record for the artist.

    According to Artprice data, this price level is exceptional for Louise Bourgeois prints, with most fetching between £1,000 and £5,000. Bourgeois is best-known for her sculptures, but prints still account for a respectable 55% of her work sold at auction, and in the United Kingdom alone, they have generated a turnover of more than £900,000 since 2000.

    Louise Bourgeois prints featuring her beloved spirals and repeating patterns are extremely popular at auction, especially when combined with the artist’s own poems or streams of consciousness. This is exemplified by the popularity of her 1999 series, What is the Shape of this Problem, with one complete set of nine prints selling at Phillips in April 2022 for £52,274. Fugue, a set of 19 screenprints in colours, is another example, achieving £48,000 at Phillips in June 2016. Prints featuring Bourgeois’ well-known spider motif are also sought-after; one series of nine drypoints titled Ode à Ma Mère, for instance, was sold by Phillips in April 2021 for £38,740.

    Louise Bourgeois Print Valuation: Factors That Determine the Value of Your Artwork

    French-American artist Louise Bourgeois left an indelible mark on contemporary art during her remarkable life, which spanned nearly one century. She worked across a vast range of mediums, but it is her sculptures which brought her most fame. However, the majority of these sell for between £100,000 and £500,000, whilst her prints are available at more modest prices to suit a range of budgets. When considering the value of a Louise Bourgeois print, it’s important to take the following factors into consideration:

    ARTIST SIGNATURE & EDITION NUMBER

    Most Louise Bourgeois prints are signed and numbered, and this is a good place to start when determining authenticity and value. Signed prints will usually fetch higher prices than unsigned ones, and prints from small or limited editions tend to command a higher value than those from larger editions due to their scarcity.  

    CONDITION

    Louise Bourgeois died in 2010 at the age of 98, and the majority of her most famous prints date from 1990 onwards; if they’ve been properly cared for, they should therefore be in fairly good condition. Earlier prints, like the aforementioned He Disappeared Into Complete Silence (1947), are extremely sought-after due to their age and rarity, and they can fetch extremely high prices, particularly if they’re in good condition.

    The Most Expensive Louise Bourgeois Prints Ever Sold

    Thinking about selling your Louise Bourgeois print? You might be sitting on a small fortune!

    Click here to discover the seven most expensive prints ever sold (and see how yours compares).

    1. He Disappeared Into Complete Silence
    2. Hang On!!
    3. I See You!!!
    4. Untitled
    5. Yes
    6. Untitled
    7. What Is The Shape Of This Problem?

    Did You Know?

    Did you know Louise Bourgeois viewed her art as a form of emotional therapy, helping her process childhood experiences and personal trauma?

    It’s just one of the many fascinating things you might not know about this influential artist.

    Read our fascinating guide here.

    Louise Bourgeois 2

    How Print Condition Affects Value and Key Issues to Look Out For

    A print’s condition greatly influences its value. Generally, prints in good condition command higher prices, though other factors may also impact worth. Assessing condition often involves removing the print from its frame for close inspection, ideally with advice from a print restorer. Key issues include:

    Light Fading
    Prolonged sunlight or bright artificial light exposure can cause colours and inks to fade, especially in prints made with lower-quality materials. This damage is usually irreversible.

    Paper Discolouration
    Discolouration can result from light exposure, stains, or foxing (small reddish-brown spots). Foxing worsens over time, especially in older prints, though it can often be treated by experts.

    Physical Damage
    Tears, creases, folds, and scratches may result from mishandling, age, or frame breakage. Many can be repaired, depending on the damage.

    Acid Burn
    Acidic mounting and framing materials can cause dark borders and discolouration. Fortunately, these marks are often reversible with specialist help.

    Adhesive Residue
    Acidic adhesives like tape degrade paper over time. While some adhesive damage can be treated, it’s preferable if prints aren’t mounted on poor-quality or acidic backings.

    lowry - condition issues

    How Mark Littler LTD Help

    Sell A Cask of Whisky (4)

    Send us details about your print using the form above.

    Sell A Cask of Whisky (2)

    We contact our international network of customers for the best offers.

    Sell A Cask of Whisky (3)

    We’ll send you a valuation together with any offers we received and give you advice on how best to sell.

    Mark Littler LTD can help collect and delivery your items with our fully insured service.

    Need help with the logistics? We have a fully insured courier service available.

    Sell A Cask of Whisky (1)

    Simply sit back and wait for the funds to arrive.

    Louise Bourgeois Print Selling FAQ

    What affects the value of my Louise Bourgeois print?

    The value of your Louise Bourgeois print is influenced by several factors, including rarity, condition, and commercial appeal. Limited edition prints, particularly those with smaller runs, are generally more valuable due to their scarcity. The condition of the print is also crucial; well-preserved prints in excellent condition tend to be worth more than those with damage or wear.

    The image itself and the fame of the artist are important factors to consider as well; if the print is a popular work by a renowned artist, this can significantly boost its value, but even lesser-known works by the same artist may still be worth considerable sums. Additionally, prints from widely recognised editions or those with a strong market history often offer more buyer confidence, which can increase their value.

    That said, there are exceptions to these trends, as factors like provenance and unique characteristics can sometimes outweigh the usual rules.

    How do I authenticate my Louise Bourgeois print?

    To authenticate your Louise Bourgeois print, start by checking for any certificates of authenticity (also known as COAs) or accompanying documentation. Some artists have specific methods for verifying prints, such as unique signatures, stamps, or marks. The process can vary by artist, so researching their particular practices is a good idea.

    We can assist with this process before sale to ensure proper verification.

    Is a signed or unsigned print more valuable?

    Signed limited edition prints generally hold the most value. Some prints – like chromolithographs or offset prints – are reproductions and aren’t limited in number unless the artist signs them, thereby restricting production. Other print methods, such as lithographs, involve unique processes but still typically need to be signed to hold significant value. In most cases, the artist’s signature is crucial in confirming both the print’s authenticity and its rarity.

    What if I don’t have proof of purchase or provenance?

    If you don’t have proof of purchase or provenance, it can affect the value of your print, depending on its age and artist. For mid-20th-century artists like L.S. Lowry, formal provenance may not be available, as these prints were often produced at lower costs before the art market grew. However, for modern prints by reputable artists like Banksy, full provenance is typically expected and essential for establishing value. Without provenance, verifying authenticity through expert authentication may be necessary.

    How should I assess the condition of my artwork?

    When assessing the condition of your artwork, look for three main types of damage: stains and marks on the surface of the print, fading to the artwork, and glue mounting. 

    Stains and surface damage, like foxing (small brown spots), are usually fairly easy to see, especially on older prints. It’s also worth checking for frame or mount burn, which can occur when non-acid-free materials react with the paper, causing discoloration.

    Fading occurs when ink loses colour due to prolonged UV light exposure, and it is irreversible. While stains, marks, and other surface damage may be restorable, fading cannot be fixed. 

    Glue mounting is another factor that can impact the condition of your artwork. Prints were once glued to cardboard mounts to keep them flat, but this can cause damage and is difficult to reverse without further harm to the print.

    Should I restore my artwork if it’s damaged?

    In general, it’s often worth restoring a print if the damage is salvageable within a reasonable budget. However, determining that budget can be tricky. For example, you wouldn’t likely spend £3,000 restoring a print by L.S. Lowry that’s only worth £5,000, but spending the same amount on a Banksy print might be more justifiable due to its higher value.

    We can offer advice on whether restoration is worthwhile before sale to help you make the best decision for your artwork.

    When is the best time to sell my Louise Bourgeois artwork?

    In reality, there’s no perfect time to sell your print—timing the market is difficult, and hindsight is always clearer. What matters most is handling the sale as effectively as possible, whether by securing the highest private offer or entering an auction with a substantial marketing budget and a broad private buyer base. It’s worth noting that local auctions may not be the best option for high-value prints. At Mark Littler Limited, we can advise on the best course of action, whether through auction or private sale.

    Where can I sell my Louise Bourgeois artwork?

    The most common route to sell prints is through auction, but not all auctions are equal. While local auctions may seem like a convenient option, there’s no substitute for the depth of expertise and specialism offered by larger, well-established auction houses. They provide better marketing, reach, and the confidence that comes with expert auctioneers who can assure buyers of the print’s value. Alternatively, you can also sell privately. At Mark Littler Limited, we can assist with both auction and private sale options to help you choose the best route for your print.

    What are the pros and cons of selling via auction vs. private sale?

    Auctions have the advantage of being able to transact prints quickly, typically within a three to six-month period. There’s also the potential for “auction fever,” where buyers may bid more than the print’s expected value. Auctions can sometimes achieve higher prices than galleries or dealers, as buyers feel they have control over setting the price. However, auctions come with more risk: the reserve price can’t exceed the low estimate, and the estimate must be attractive enough to draw in buyers.

    Private sales offer more security, as the sale price is guaranteed, eliminating the risks associated with auction. However, private sales aren’t always possible for every print. At Mark Littler Limited, we can help you decide whether auction or private sale is the best option for your print, and in some cases, we can even facilitate private sales.