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A Guide to Henri Matisse Prints and Their Value

Are you looking to sell your Henri Matisse print but don’t know where to start?

At Mark Littler LTD, we make selling your print effortless. Forget the hassle of reaching out to multiple auctioneers and dealers, uncertain about who will provide the best value. Rely on our decades of experience and trusted network to connect you with buyers who guarantee top prices and exceptional service. Let us take the guesswork out of the process, so you can sell with confidence.

Please use the form below to submit images of your Henri Matisse print and receive a free, no-obligation valuation from a specialist. We will also actively seek the highest offer from our network of private collectors to help you sell your Henri Matisse print.

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    Market Analysis: Henri Matisse Print Market 2015-2025

    Henri Matisse’s print market experiencing exceptional volatility. A dramatic spike occurred in 2022, with turnover reaching £6m – triple the decade’s average.

    The five-year trend shows instability. After 2022’s peak, turnover plummeted to £1.9m in 2024. However, lot volumes have increased 41% since 2020, reaching 489 lots in 2024.

    The unsold rate has deteriorated significantly, rising from 19% in 2020 to 41% in 2024 – the decade’s highest. This suggests market resistance at current price points.

    Long-term data indicates the market maintained relative stability from 2015-2020, averaging £2.2m annually. The recent volatility, combined with high unsold rates and increased lot volumes, points to a market seeking new equilibrium after the 2022 anomaly.

    Matisse Print Values: Most Valuable Works and Price Trends

    The most sought-after Henri Matisse prints are Océanie, Le Ciel and Océanie, La Mer, both screenprints on linen which were designed as complementary wall hangings. Both prints have increased significantly in value over the years, Océanie, La Mer achieved £2.6 million when it was sold at Christie’s in June 2011, and Océanie, Le Ciel fetched more than £2.7 million when it was sold by Christie’s in April 2022, setting a new record for the artist.

    These price levels are extraordinary for Matisse prints, despite the enduring popularity of his work; according to Artprice data, Matisse’s prints account for 80% of the artist’s work sold at auction, and the majority fetch between £1,000 and £5,000, though a significant proportion reach up to £50,000. Prints in the £1,000 to £5,000 price range have generated a turnover of over £7 million since 2000, whilst those in the £10,000 to £50,000 range have generated £12.7 million in the same amount of time.

    Matisse’s Jazz prints are also frequently sought-after; individual prints from the series regularly fetch between £5,000 and £25,000, whilst the entire portfolio of 20 prints can usually expect to reach upwards of £50,000, with one notable set of printer’s proofs selling at Sotheby’s in November 2015 for £609,112. Matisse’s prints of odalisques and nudes tend to be consistently popular as well, frequently fetching over £5,000, with some attaining far higher prices; Grande Odalisque à la Culotte Bayadère, for instance, sold at Christies in April 2024 for £176,937.

    How Much is My Henri Matisse Print Worth? Expert Valuation Guide

    Henri Matisse is widely considered one of the pre-eminent artists of the 20th century. Though his paintings sell for such high prices that they are unavailable to most budgets, his prints remain far more modestly priced, and their consistent popularity means they are often considered a good investment by collectors. When assessing the worth of an Henri Matisse print, it is important to consider its edition number and condition, as well as the following factors:

    PROVENANCE

    Given the age of Matisse prints (the artist died in 1954), the majority should show good provenance with a paper trail in the form of things such as invoices, receipts, and Certificates of Authenticity (COAs). There is also a comprehensive Catalogue Raisonné for the artist’s prints, compiled by his daughter and her son, so it’s worth checking any Matisse print against this. Prints with good provenance will be worth more than those where the authenticity is in doubt.

    SIGNATURE

    Most Matisse prints are signed, though the artist’s signature varies. Sometimes, Matisse signed his full name, sometimes just ‘H. Matisse’ or ‘Matisse, and at other times, he simply signed ‘H.M.’. It’s worth comparing your Matisse print with that of others in the same medium and from the same time period to see if there are similarities, since this can give a good indication of the print’s authenticity.

    The Most Expensive Henri Matisse Prints Ever Sold

    Thinking about selling your Henri Matisse print? You might be sitting on a small fortune!

    Click here to discover the five most expensive prints ever sold (and see how yours compares).

    1. Océanie, Le Ciel
    2. Océanie, La Mer
    3. Jazz
    4. Grande Odalisque À La Culotte Bayadère
    5. La Danse

    Did You Know?

    Did you know Henri Matisse’s iconic cut-out technique emerged after surgery left him bedridden, leading him to create art with scissors and paper?

    It’s just one of the many fascinating things you might not know about this influential artist.

    Read our guide here to find out more. 

    Henri Matisse 2

    How Print Condition Affects Value and Key Issues to Look Out For

    A print’s condition greatly influences its value. Generally, prints in good condition command higher prices, though other factors may also impact worth. Assessing condition often involves removing the print from its frame for close inspection, ideally with advice from a print restorer. Key issues include:

    Light Fading
    Prolonged sunlight or bright artificial light exposure can cause colours and inks to fade, especially in prints made with lower-quality materials. This damage is usually irreversible.

    Paper Discolouration
    Discolouration can result from light exposure, stains, or foxing (small reddish-brown spots). Foxing worsens over time, especially in older prints, though it can often be treated by experts.

    Physical Damage
    Tears, creases, folds, and scratches may result from mishandling, age, or frame breakage. Many can be repaired, depending on the damage.

    Acid Burn
    Acidic mounting and framing materials can cause dark borders and discolouration. Fortunately, these marks are often reversible with specialist help.

    Adhesive Residue
    Acidic adhesives like tape degrade paper over time. While some adhesive damage can be treated, it’s preferable if prints aren’t mounted on poor-quality or acidic backings.

    lowry - condition issues

    How Mark Littler LTD Help

    Sell A Cask of Whisky (4)

    Send us details about your print using the form above.

    Sell A Cask of Whisky (2)

    We contact our international network of customers for the best offers.

    Sell A Cask of Whisky (3)

    We’ll send you a valuation together with any offers we received and give you advice on how best to sell.

    Mark Littler LTD can help collect and delivery your items with our fully insured service.

    Need help with the logistics? We have a fully insured courier service available.

    Sell A Cask of Whisky (1)

    Simply sit back and wait for the funds to arrive.

    Read More About Iconic 20th Century Artists

    Henri Matisse Print Selling FAQ

    What affects the value of my Henri Matisse print?

    The value of your Henri Matisse print is influenced by several factors, including rarity, condition, and commercial appeal. Limited edition prints, particularly those with smaller runs, are generally more valuable due to their scarcity. The condition of the print is also crucial; well-preserved prints in excellent condition tend to be worth more than those with damage or wear.

    The image itself and the fame of the artist are important factors to consider as well; if the print is a popular work by a renowned artist, this can significantly boost its value, but even lesser-known works by the same artist may still be worth considerable sums. Additionally, prints from widely recognised editions or those with a strong market history often offer more buyer confidence, which can increase their value.

    That said, there are exceptions to these trends, as factors like provenance and unique characteristics can sometimes outweigh the usual rules.

    How do I authenticate my Henri Matisse print?

    To authenticate your Henri Matisse print, start by checking for any certificates of authenticity (also known as COAs) or accompanying documentation. Some artists have specific methods for verifying prints, such as unique signatures, stamps, or marks. Banksy, for instance, has Pest Control. The process can vary by artist, so researching their particular practices is a good idea.

    We can assist with this process before sale to ensure proper verification.

    Is a signed or unsigned print more valuable?

    Signed limited edition prints generally hold the most value. Some prints – like chromolithographs or offset prints – are reproductions and aren’t limited in number unless the artist signs them, thereby restricting production. Other print methods, such as lithographs, involve unique processes but still typically need to be signed to hold significant value. In most cases, the artist’s signature is crucial in confirming both the print’s authenticity and its rarity.

    What if I don’t have proof of purchase or provenance?

    If you don’t have proof of purchase or provenance, it can affect the value of your print, depending on its age and artist. For mid-20th-century artists like L.S. Lowry, formal provenance may not be available, as these prints were often produced at lower costs before the art market grew. However, for modern prints by reputable artists like Banksy, full provenance is typically expected and essential for establishing value. Without provenance, verifying authenticity through expert authentication may be necessary.

    How should I assess the condition of my artwork?

    When assessing the condition of your artwork, look for three main types of damage: stains and marks on the surface of the print, fading to the artwork, and glue mounting. 

    Stains and surface damage, like foxing (small brown spots), are usually fairly easy to see, especially on older prints. It’s also worth checking for frame or mount burn, which can occur when non-acid-free materials react with the paper, causing discoloration.

    Fading occurs when ink loses colour due to prolonged UV light exposure, and it is irreversible. While stains, marks, and other surface damage may be restorable, fading cannot be fixed. 

    Glue mounting is another factor that can impact the condition of your artwork. Prints were once glued to cardboard mounts to keep them flat, but this can cause damage and is difficult to reverse without further harm to the print.

    Should I restore my artwork if it’s damaged?

    In general, it’s often worth restoring a print if the damage is salvageable within a reasonable budget. However, determining that budget can be tricky. For example, you wouldn’t likely spend £3,000 restoring a print by L.S. Lowry that’s only worth £5,000, but spending the same amount on a Banksy print might be more justifiable due to its higher value.

    We can offer advice on whether restoration is worthwhile before sale to help you make the best decision for your artwork.

    When is the best time to sell my Henri Matisse artwork?

    In reality, there’s no perfect time to sell your print—timing the market is difficult, and hindsight is always clearer. What matters most is handling the sale as effectively as possible, whether by securing the highest private offer or entering an auction with a substantial marketing budget and a broad private buyer base. It’s worth noting that local auctions may not be the best option for high-value prints. At Mark Littler Limited, we can advise on the best course of action, whether through auction or private sale.

    Where can I sell my Henri Matisse artwork?

    The most common route to sell prints is through auction, but not all auctions are equal. While local auctions may seem like a convenient option, there’s no substitute for the depth of expertise and specialism offered by larger, well-established auction houses. They provide better marketing, reach, and the confidence that comes with expert auctioneers who can assure buyers of the print’s value. Alternatively, you can also sell privately. At Mark Littler Limited, we can assist with both auction and private sale options to help you choose the best route for your print.

    What are the pros and cons of selling via auction vs. private sale?

    Auctions have the advantage of being able to transact prints quickly, typically within a three to six-month period. There’s also the potential for “auction fever,” where buyers may bid more than the print’s expected value. Auctions can sometimes achieve higher prices than galleries or dealers, as buyers feel they have control over setting the price. However, auctions come with more risk: the reserve price can’t exceed the low estimate, and the estimate must be attractive enough to draw in buyers.  

    Private sales offer more security, as the sale price is guaranteed, eliminating the risks associated with auction. However, private sales aren’t always possible for every print. At Mark Littler Limited, we can help you decide whether auction or private sale is the best option for your print, and in some cases, we can even facilitate private sales.

    This article from the BBC has a good overview of the pros and cons on the various sales methods.