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A Guide to George Grosz Prints and Their Value

Are you looking to sell your George Grosz print but don’t know where to start?

At Mark Littler LTD, we make selling your print effortless. Forget the hassle of reaching out to multiple auctioneers and dealers, uncertain about who will provide the best value. Rely on our decades of experience and trusted network to connect you with buyers who guarantee top prices and exceptional service. Let us take the guesswork out of the process, so you can sell with confidence.

Please use the form below to submit images of your George Grosz print and receive a free, no-obligation valuation from a specialist. We will also actively seek the highest offer from our network of private collectors to help you sell your George Grosz print.

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    Market Analysis: George Grosz Print Market 2015-2025

    The market for George Grosz’s hand-signed and numbered prints has shown remarkable volatility over the past decade, according to data from Artprice.com.

    Turnover peaked in 2023 at nearly £99,000 before dropping dramatically by 49% to just over £50,000 in 2024. This sharp correction follows a longer pattern of significant fluctuations, with the market experiencing several boom-bust cycles since 2015.

    The short-term trend (2019-2024) reveals increasing market instability, with annual turnover swings of up to 129%. Despite these fluctuations, the overall trajectory shows modest growth from the 2015 baseline of £30,102.

    Supply has remained relatively consistent throughout, averaging 60 lots annually, suggesting the volatility stems from price rather than volume changes. The unsold percentage has hovered consistently around 38%, indicating sustained but selective collector interest in Grosz’s graphic works.

    This analysis suggests a maturing but unpredictable market that requires careful navigation by collectors and investors alike.

    Understanding the Value of George Grosz’s Most Popular Print Series: Ecce Homo and Beyond

    The most sought-after George Grosz print series is Ecce Homo, a provocative and scathing social critique of the Weimar Republic. The complete set of 100 prints in their original box was sold at Bukowskis in May 2023 for £45,970, setting a new record for the artist.

    This is significantly more than most Grosz prints sell for; according to Artprice data, prints account for 39% of the artist’s work sold at auction, where most achieve prices between £100 and £500, with a significant number fetching up to £5,000. Prints in the £1,000 to £5,000 price range alone have generated a turnover of £480,293 in the past 25 years.

    Most of George Grosz’s most popular prints are those he created during the 1920s and early 1930s, depicting the heady decadence and corruption of the Weimar Republic and his surroundings. These include Die Räuber, a portfolio of nine photolithographs which can expect to fetch between £2,000 and £10,000 at auction, with one complete set of prints selling at Kornfeld Galerie & Cie in June 2009 for £15,890. Another example is Gott Mit Uns, a savage satirical attack on the German military which most often fetches between £4,000 and £10,000, with one complete set of nine selling at Sotheby’s in October 2002 for £13,765.

    Evaluating George Grosz Prints: Signature, Condition, and Market Insights

    German artist George Grosz became known for his scathing, satirical caricatures of life in the hedonistic melting pot of the Weimar Republic. Though Grosz style softened in the years he spent living in America after fleeing the rise of Nazism, it’s the provocative art he created in the 1920s and early ‘30s which remains most popular in the market today. Grosz’s paintings can fetch millions at auction, but his prints are available at more modest prices to suit a range of different budgets. When assessing the worth of a George Grosz print, it’s important to consider provenance, subject matter, and edition number, as well as the following:

    ARTIST SIGNATURE

    George Grosz signed most of his prints, and his signature can usually be found in the lower right-hand corner. Prints signed by the artist will almost always fetch more at auction than their unsigned counterparts.

    CONDITION

    George Grosz was born in 1893, and he died in 1959, so a significant proportion of his work is now over a century old. Grosz’s most popular prints tend to date from the 1920s and early ‘30s, and their age means they may show signs of deterioration. Prints that have been well looked after and remain in good condition can usually command higher prices than those that have been damaged or are showing signs of their age.

    The Most Expensive George Grosz Prints Ever Sold

    Thinking about selling your George Grosz print? You might be sitting on a small fortune!

    Click here to discover the five most expensive prints ever sold (and see how yours compares).

    1. Ecce Homo
    2. Erste George Grosz-Mappe
    3. Die Räuber
    4. Gott Mit Uns
    5. Im Schatten

    Did You Know?

    Did you know George Grosz was a prominent member of the Berlin Dada movement, which embraced absurdity and challenged traditional art forms? It’s just one of the many fascinating things you might not know about this influential artist.

    Read our guide here to find out more.

    George Grosz 2

    How Print Condition Affects Value and Key Issues to Look Out For

    A print’s condition greatly influences its value. Generally, prints in good condition command higher prices, though other factors may also impact worth. Assessing condition often involves removing the print from its frame for close inspection, ideally with advice from a print restorer. Key issues include:

    Light Fading
    Prolonged sunlight or bright artificial light exposure can cause colours and inks to fade, especially in prints made with lower-quality materials. This damage is usually irreversible.

    Paper Discolouration
    Discolouration can result from light exposure, stains, or foxing (small reddish-brown spots). Foxing worsens over time, especially in older prints, though it can often be treated by experts.

    Physical Damage
    Tears, creases, folds, and scratches may result from mishandling, age, or frame breakage. Many can be repaired, depending on the damage.

    Acid Burn
    Acidic mounting and framing materials can cause dark borders and discolouration. Fortunately, these marks are often reversible with specialist help.

    Adhesive Residue
    Acidic adhesives like tape degrade paper over time. While some adhesive damage can be treated, it’s preferable if prints aren’t mounted on poor-quality or acidic backings.

    lowry - condition issues

    How Mark Littler LTD Help

    Sell A Cask of Whisky (4)

    Send us details about your print using the form above.

    Sell A Cask of Whisky (2)

    We contact our international network of customers for the best offers.

    Sell A Cask of Whisky (3)

    We’ll send you a valuation together with any offers we received and give you advice on how best to sell.

    Mark Littler LTD can help collect and delivery your items with our fully insured service.

    Need help with the logistics? We have a fully insured courier service available.

    Sell A Cask of Whisky (1)

    Simply sit back and wait for the funds to arrive.

    Read More About Iconic 20th Century Artists

    George Grosz Print Selling FAQ

    What affects the value of my George Grosz print?

    The value of your George Grosz print is influenced by several factors, including rarity, condition, and commercial appeal. Limited edition prints, particularly those with smaller runs, are generally more valuable due to their scarcity. The condition of the print is also crucial; well-preserved prints in excellent condition tend to be worth more than those with damage or wear.

    The image itself and the fame of the artist are important factors to consider as well; if the print is a popular work by a renowned artist, this can significantly boost its value, but even lesser-known works by the same artist may still be worth considerable sums. Additionally, prints from widely recognised editions or those with a strong market history often offer more buyer confidence, which can increase their value.

    That said, there are exceptions to these trends, as factors like provenance and unique characteristics can sometimes outweigh the usual rules.

    How do I authenticate my George Grosz print?

    To authenticate your George Grosz print, start by checking for any certificates of authenticity (also known as COAs) or accompanying documentation. Some artists have specific methods for verifying prints, such as unique signatures, stamps, or marks. Banksy, for instance, has Pest Control. The process can vary by artist, so researching their particular practices is a good idea.

    We can assist with this process before sale to ensure proper verification.

    Is a signed or unsigned print more valuable?

    Signed limited edition prints generally hold the most value. Some prints – like chromolithographs or offset prints – are reproductions and aren’t limited in number unless the artist signs them, thereby restricting production. Other print methods, such as lithographs, involve unique processes but still typically need to be signed to hold significant value. In most cases, the artist’s signature is crucial in confirming both the print’s authenticity and its rarity.

    What if I don’t have proof of purchase or provenance?

    If you don’t have proof of purchase or provenance, it can affect the value of your print, depending on its age and artist. For mid-20th-century artists like L.S. Lowry, formal provenance may not be available, as these prints were often produced at lower costs before the art market grew. However, for modern prints by reputable artists like Banksy, full provenance is typically expected and essential for establishing value. Without provenance, verifying authenticity through expert authentication may be necessary.

    How should I assess the condition of my artwork?

    When assessing the condition of your artwork, look for three main types of damage: stains and marks on the surface of the print, fading to the artwork, and glue mounting. 

    Stains and surface damage, like foxing (small brown spots), are usually fairly easy to see, especially on older prints. It’s also worth checking for frame or mount burn, which can occur when non-acid-free materials react with the paper, causing discoloration.

    Fading occurs when ink loses colour due to prolonged UV light exposure, and it is irreversible. While stains, marks, and other surface damage may be restorable, fading cannot be fixed. 

    Glue mounting is another factor that can impact the condition of your artwork. Prints were once glued to cardboard mounts to keep them flat, but this can cause damage and is difficult to reverse without further harm to the print.

    Should I restore my artwork if it’s damaged?

    In general, it’s often worth restoring a print if the damage is salvageable within a reasonable budget. However, determining that budget can be tricky. For example, you wouldn’t likely spend £3,000 restoring a print by L.S. Lowry that’s only worth £5,000, but spending the same amount on a Banksy print might be more justifiable due to its higher value.

    We can offer advice on whether restoration is worthwhile before sale to help you make the best decision for your artwork.

    When is the best time to sell my George Grosz artwork?

    In reality, there’s no perfect time to sell your print—timing the market is difficult, and hindsight is always clearer. What matters most is handling the sale as effectively as possible, whether by securing the highest private offer or entering an auction with a substantial marketing budget and a broad private buyer base. It’s worth noting that local auctions may not be the best option for high-value prints. At Mark Littler Limited, we can advise on the best course of action, whether through auction or private sale.

    Where can I sell my George Grosz artwork?

    The most common route to sell prints is through auction, but not all auctions are equal. While local auctions may seem like a convenient option, there’s no substitute for the depth of expertise and specialism offered by larger, well-established auction houses. They provide better marketing, reach, and the confidence that comes with expert auctioneers who can assure buyers of the print’s value. Alternatively, you can also sell privately. At Mark Littler Limited, we can assist with both auction and private sale options to help you choose the best route for your print.

    What are the pros and cons of selling via auction vs. private sale?

    Auctions have the advantage of being able to transact prints quickly, typically within a three to six-month period. There’s also the potential for “auction fever,” where buyers may bid more than the print’s expected value. Auctions can sometimes achieve higher prices than galleries or dealers, as buyers feel they have control over setting the price. However, auctions come with more risk: the reserve price can’t exceed the low estimate, and the estimate must be attractive enough to draw in buyers.  

    Private sales offer more security, as the sale price is guaranteed, eliminating the risks associated with auction. However, private sales aren’t always possible for every print. At Mark Littler Limited, we can help you decide whether auction or private sale is the best option for your print, and in some cases, we can even facilitate private sales.

    This article from the BBC has a good overview of the pros and cons on the various sales methods.