A Guide to Fernand Léger Prints and Their Value
Are you looking to sell your Fernand Léger print but don’t know where to start?
At Mark Littler LTD, we make selling your print effortless. Forget the hassle of reaching out to multiple auctioneers and dealers, uncertain about who will provide the best value. Rely on our decades of experience and trusted network to connect you with buyers who guarantee top prices and exceptional service. Let us take the guesswork out of the process, so you can sell with confidence.
Please use the form below to submit images of your Fernand Léger print and receive a free, no-obligation valuation from a specialist. We will also actively seek the highest offer from our network of private collectors to help you sell your Fernand Léger print.
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Market Analysis: Fernand Léger Print Market 2015-2025
Fernand Léger’s hand-signed print market shows concerning decline over the past decade, according to data from Artprice.com.
The long-term trajectory reveals a significant contraction, with turnover dropping from £170,304 in 2015 to £96,885 in 2024 (-43%). This downward trend has been relatively consistent throughout the decade, defying the broader strength seen in many modernist print markets.
The short-term trend since 2019 shows market fragility, with turnover declining by 35% while lot volumes have increased from 153 to 171 (+12%). Most concerning is the dramatic deterioration in unsold rates, surging from 36% in 2019 to 44% in 2024, the highest of the decade.
This combination of increasing supply alongside falling demand and turnover suggests Léger’s print market faces substantial headwinds. While the artist’s broader market remains historically significant, the print sector specifically appears to be struggling with collector enthusiasm, potentially indicating oversupply or shifting collecting preferences away from modernist prints in this price bracket.
Fernand Léger Print Values: From £100 to Record-Breaking £20,767 for ‘Le Vase’
Fernand Léger’s most sought-after print is his 1927 lithograph, Le Vase, which features many elements of his ‘mechanical’ style of the 1920s. Le Vase prints typically reach between £5,000 and £18,000 at auction, and one impression set a new record for the artist when it was sold at Swann Galleries in September 2017 for £20,767.
This price level is significantly higher than average for Fernand Léger prints. According to Artprice data, prints account for 55% of the artist’s work sold at auction, where most achieve prices between £100 and £500, though a significant proportion fetch up to £5,000. Léger’s work has remained steadily popular at auction over the past 25 years, with 2024 seeing 172 of his prints sold, more than during any other year on record.
Léger’s other most popular prints tend to be those featuring the soft, free, organic shapes that came to dominate his later work, with dancers and acrobats proving to be particular favourites. One example of this is Cirque, a collection of 63 lithographs from 1950 inspired by the artist’s fascination with the circus. The complete set of prints can usually expect to reach above £5,000, with one portfolio selling at Christie’s in May 1999 for £19,740. The joyful Les Femmes au Perroquet typically fetches between £2,500 and £12,000, with one impression achieving £20,704 at Sotheby’s in October 2022, more than triple its high estimate. The equally vibrant Les Danseuses (Fond Jaune) can expect to reach between £1,000 and £6,000, with one print from the edition of 75 selling at Christie’s in September 2017 for £20,000.
How to Value Fernand Léger Prints: Authenticity and Condition Guide
Fernand Léger is best-known for his association with Cubism, and for pioneering his own personal take on it, which has come to be dubbed ‘tubism’. He is widely acknowledged to have had a significant influence on the development of 20th century art, and whilst his paintings regularly sell for millions, his prints provide a more affordable entry point for many collectors. When assessing the worth of a Fernand Léger print, it’s important to consider factors such as provenance and edition number, as well as the following:
SIGNATURE
Fernand Léger often signed prints using just his initials or a shortened version of his name, but this is still a valid signature. Mostly, he signed prints in the lower right corner. Prints that are hand-signed by the artist can expect to reach higher prices at auction than their unsigned counterparts.
CONDITION
Fernand Léger died in 1955, so many of his prints are over or approaching 100 years old. Their condition is particularly important in determining their value because Léger tended to use bright, vibrant colours, so prints which are faded or otherwise damaged will fetch less than those which have been well-cared for and remain in good condition.
The Most Expensive Fernand Léger Prints Ever Sold
Thinking about selling your Fernand Léger print? You might be sitting on a small fortune!
Click here to discover the five most expensive prints ever sold (and see how yours compares).
- Le Vase
- Les Femmes Au Perroquet
- Les Danseuses (Fond Jaune)
- Cirque
- Arthur Rimbaud: Les Illuminations
Did You Know?
Did you know Fernand Léger was a pioneer in incorporating elements of modern industrial technology into his art, reflecting his fascination with machinery and urban life?
It’s just one of the many fascinating things you might not know about this influential artist.
Read our guide here to find out more.

How Print Condition Affects Value and Key Issues to Look Out For
A print’s condition greatly influences its value. Generally, prints in good condition command higher prices, though other factors may also impact worth. Assessing condition often involves removing the print from its frame for close inspection, ideally with advice from a print restorer. Key issues include:
Light Fading
Prolonged sunlight or bright artificial light exposure can cause colours and inks to fade, especially in prints made with lower-quality materials. This damage is usually irreversible.
Paper Discolouration
Discolouration can result from light exposure, stains, or foxing (small reddish-brown spots). Foxing worsens over time, especially in older prints, though it can often be treated by experts.
Physical Damage
Tears, creases, folds, and scratches may result from mishandling, age, or frame breakage. Many can be repaired, depending on the damage.
Acid Burn
Acidic mounting and framing materials can cause dark borders and discolouration. Fortunately, these marks are often reversible with specialist help.
Adhesive Residue
Acidic adhesives like tape degrade paper over time. While some adhesive damage can be treated, it’s preferable if prints aren’t mounted on poor-quality or acidic backings.

How Mark Littler LTD Help

Send us details about your print using the form above.

We contact our international network of customers for the best offers.

We’ll send you a valuation together with any offers we received and give you advice on how best to sell.

Need help with the logistics? We have a fully insured courier service available.

Simply sit back and wait for the funds to arrive.
Read More About Iconic 20th Century Artists
Fernand Léger Print Selling FAQ
What affects the value of my Fernand Léger print?
The value of your Fernand Léger print is influenced by several factors, including rarity, condition, and commercial appeal. Limited edition prints, particularly those with smaller runs, are generally more valuable due to their scarcity. The condition of the print is also crucial; well-preserved prints in excellent condition tend to be worth more than those with damage or wear.
The image itself and the fame of the artist are important factors to consider as well; if the print is a popular work by a renowned artist, this can significantly boost its value, but even lesser-known works by the same artist may still be worth considerable sums. Additionally, prints from widely recognised editions or those with a strong market history often offer more buyer confidence, which can increase their value.
That said, there are exceptions to these trends, as factors like provenance and unique characteristics can sometimes outweigh the usual rules.
How do I authenticate my Fernand Léger print?
To authenticate your Fernand Léger print, start by checking for any certificates of authenticity (also known as COAs) or accompanying documentation. Some artists have specific methods for verifying prints, such as unique signatures, stamps, or marks. Banksy, for instance, has Pest Control. The process can vary by artist, so researching their particular practices is a good idea.
We can assist with this process before sale to ensure proper verification.
Is a signed or unsigned print more valuable?
Signed limited edition prints generally hold the most value. Some prints – like chromolithographs or offset prints – are reproductions and aren’t limited in number unless the artist signs them, thereby restricting production. Other print methods, such as lithographs, involve unique processes but still typically need to be signed to hold significant value. In most cases, the artist’s signature is crucial in confirming both the print’s authenticity and its rarity.
What if I don’t have proof of purchase or provenance?
If you don’t have proof of purchase or provenance, it can affect the value of your print, depending on its age and artist. For mid-20th-century artists like L.S. Lowry, formal provenance may not be available, as these prints were often produced at lower costs before the art market grew. However, for modern prints by reputable artists like Banksy, full provenance is typically expected and essential for establishing value. Without provenance, verifying authenticity through expert authentication may be necessary.
How should I assess the condition of my artwork?
When assessing the condition of your artwork, look for three main types of damage: stains and marks on the surface of the print, fading to the artwork, and glue mounting.
Stains and surface damage, like foxing (small brown spots), are usually fairly easy to see, especially on older prints. It’s also worth checking for frame or mount burn, which can occur when non-acid-free materials react with the paper, causing discoloration.
Fading occurs when ink loses colour due to prolonged UV light exposure, and it is irreversible. While stains, marks, and other surface damage may be restorable, fading cannot be fixed.
Glue mounting is another factor that can impact the condition of your artwork. Prints were once glued to cardboard mounts to keep them flat, but this can cause damage and is difficult to reverse without further harm to the print.
Should I restore my artwork if it’s damaged?
In general, it’s often worth restoring a print if the damage is salvageable within a reasonable budget. However, determining that budget can be tricky. For example, you wouldn’t likely spend £3,000 restoring a print by L.S. Lowry that’s only worth £5,000, but spending the same amount on a Banksy print might be more justifiable due to its higher value.
We can offer advice on whether restoration is worthwhile before sale to help you make the best decision for your artwork.
When is the best time to sell my Fernand Léger artwork?
In reality, there’s no perfect time to sell your print—timing the market is difficult, and hindsight is always clearer. What matters most is handling the sale as effectively as possible, whether by securing the highest private offer or entering an auction with a substantial marketing budget and a broad private buyer base. It’s worth noting that local auctions may not be the best option for high-value prints. At Mark Littler Limited, we can advise on the best course of action, whether through auction or private sale.
Where can I sell my Fernand Léger artwork?
The most common route to sell prints is through auction, but not all auctions are equal. While local auctions may seem like a convenient option, there’s no substitute for the depth of expertise and specialism offered by larger, well-established auction houses. They provide better marketing, reach, and the confidence that comes with expert auctioneers who can assure buyers of the print’s value. Alternatively, you can also sell privately. At Mark Littler Limited, we can assist with both auction and private sale options to help you choose the best route for your print.
What are the pros and cons of selling via auction vs. private sale?
Auctions have the advantage of being able to transact prints quickly, typically within a three to six-month period. There’s also the potential for “auction fever,” where buyers may bid more than the print’s expected value. Auctions can sometimes achieve higher prices than galleries or dealers, as buyers feel they have control over setting the price. However, auctions come with more risk: the reserve price can’t exceed the low estimate, and the estimate must be attractive enough to draw in buyers.
Private sales offer more security, as the sale price is guaranteed, eliminating the risks associated with auction. However, private sales aren’t always possible for every print. At Mark Littler Limited, we can help you decide whether auction or private sale is the best option for your print, and in some cases, we can even facilitate private sales.
This article from the BBC has a good overview of the pros and cons on the various sales methods.