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A Guide to Antony Gormley Prints and Their Value

Are you looking to sell your Antony Gormley print but don’t know where to start?

At Mark Littler LTD, we make selling your print effortless. Forget the hassle of reaching out to multiple auctioneers and dealers, uncertain about who will provide the best value. Rely on our decades of experience and trusted network to connect you with buyers who guarantee top prices and exceptional service. Let us take the guesswork out of the process, so you can sell with confidence.

Please use the form below to submit images of your Antony Gormley print and receive a free, no-obligation valuation from a specialist. We will also actively seek the highest offer from our network of private collectors to help you sell your Antony Gormley print.

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    Market Analysis: Antony Gormley Print Market 2015-2025

    Antony Gormley’s print market shows a complex pattern of growth and contraction over the past decade, according to data from Artprice.com.

    The long-term view indicates modest overall growth, with turnover increasing from £28,995 in 2015 to £34,118 in 2024 (+18%). However, this masks significant volatility, with the market peaking at £100,756 in 2022 before experiencing a sharp 66% decline over the following two years.

    The short-term trend since 2019 shows increased market participation, with lot volumes rising from 25 to 35 (+40%), suggesting growing collector interest despite the turnover decline. Crucially, unsold rates have improved substantially from 41% in 2015 to 24% in 2024, indicating a more established collector base.

    2021 stands out as particularly noteworthy, achieving the lowest unsold rate (8%) of the decade, though this strong performance wasn’t sustained. The overall trajectory suggests a maturing but still developing market for Gormley’s prints, with potential for future stability.

    Antony Gormley Prints: High-Demand Series and Key Auction Insights

    The most sought-after Antony Gormley prints are those from his Body Prints series, a group of 12 unique prints from 2016, created by Gormley covering himself in oil and petroleum jelly, then lowering himself onto a sheet of paper. The prints’ uniqueness makes them highly-prized and extremely valuable, and one print from the series, Breathe, achieved £55,000 at Bonhams in March 2022.

    According to Artprice data, this price range is significantly higher than average for Antony Gormley prints, which typically sell for between £500 and £5,000. Though the artist is most famous for his sculptures, prints still account for 35% of his work sold at auction, and in the UK alone they’ve generated a turnover of more than £453,000 in the last 15 years.

    Gormley’s other most popular prints tend to be those that, like his sculptures, explore the relationship between the human body and the space it inhabits. Bodies in Space is one such example, with 40 prints released in white, and the same number in black. Individual prints most often sell for between £2,000 and £6,000, and one pair of prints achieved £17,000 at Sotheby’s in March 2023. Horizon Field is another print exploring similar themes, and it can usually expect to fetch over £3,000 at auction, with one artist’s proof reaching £5,500 at Phillips in September 2023.  

    Not all of Gormley’s most sought-after prints involve human figures, though; individual prints from the Bearing Light portfolio, for instance, usually reach around £500 at auction, and the complete set of 12 typically fetches over £4,000, with one portfolio of artist’s proofs achieving £7,270 at Los Angeles Modern Auctions (LAMA) in October 2021.

    Valuing Antony Gormley Prints: Signature, Edition Size, and Collectibility

    Antony Gormley has become one of Britain’s most well-known living artists, and his sculptures have populated landscapes across the globe. Whilst Gormley’s 3D pieces often sell for hundreds of thousands of pounds, his prints are available at more modest prices, with their commercial appeal and the artist’s fame often making them a popular choice among collectors. When assessing the value of an Antony Gormley print, it’s important to consider provenance, subject matter, and condition, as well as a couple more factors outlined below:

    ARTIST SIGNATURE

    Antony Gormley’s prints are usually signed, dated, and numbered on the reverse, and it’s always worth checking this before buying or selling one. Those which are signed by the artist can expect to reach higher prices at auction than their unsigned counterparts.

    EDITION SIZE

    Due to their scarcity, prints from small or limited editions typically achieve higher prices at auction than those from larger editions. Unique prints like the aforementioned Breathe should expect to command a premium, and artist’s and printer’s proofs also tend to reach higher-than-average prices, as is demonstrated by Horizon Field and the Bearing Light portfolio, mentioned above.

    The Most Expensive Antony Gormley Prints Ever Sold

    Thinking about selling your Antony Gormley print? You might be sitting on a small fortune!

    Click here to discover the eight most expensive prints ever sold (and see how yours compares).

    1. Breathe
    2. Bodies In Space (Black)/Bodies In Space (White)
    3. Bearing Light Portfolio
    4. Space
    5. Domain
    6. Horizon Field
    7. Standing Matter
    8. Another Place

    Did You Know?

    Did you know Antony Gormley used his own body as a cast for many of his iconic sculptures, including his famous Angel of the North?

    It’s just one of the many fascinating things you might not know about this celebrated artist.

    Read our guide here.

    Gormleystill2

    How Print Condition Affects Value and Key Issues to Look Out For

    A print’s condition greatly influences its value. Generally, prints in good condition command higher prices, though other factors may also impact worth. Assessing condition often involves removing the print from its frame for close inspection, ideally with advice from a print restorer. Key issues include:

    Light Fading
    Prolonged sunlight or bright artificial light exposure can cause colours and inks to fade, especially in prints made with lower-quality materials. This damage is usually irreversible.

    Paper Discolouration
    Discolouration can result from light exposure, stains, or foxing (small reddish-brown spots). Foxing worsens over time, especially in older prints, though it can often be treated by experts.

    Physical Damage
    Tears, creases, folds, and scratches may result from mishandling, age, or frame breakage. Many can be repaired, depending on the damage.

    Acid Burn
    Acidic mounting and framing materials can cause dark borders and discolouration. Fortunately, these marks are often reversible with specialist help.

    Adhesive Residue
    Acidic adhesives like tape degrade paper over time. While some adhesive damage can be treated, it’s preferable if prints aren’t mounted on poor-quality or acidic backings.

    lowry - condition issues

    How Mark Littler LTD Help

    Sell A Cask of Whisky (4)

    Send us details about your print using the form above.

    Sell A Cask of Whisky (2)

    We contact our international network of customers for the best offers.

    Sell A Cask of Whisky (3)

    We’ll send you a valuation together with any offers we received and give you advice on how best to sell.

    Mark Littler LTD can help collect and delivery your items with our fully insured service.

    Need help with the logistics? We have a fully insured courier service available.

    Sell A Cask of Whisky (1)

    Simply sit back and wait for the funds to arrive.

    Antony Gormley Print Selling FAQ

    What affects the value of my Antony Gormley print?

    The value of your Antony Gormley print is influenced by several factors, including rarity, condition, and commercial appeal. Limited edition prints, particularly those with smaller runs, are generally more valuable due to their scarcity. The condition of the print is also crucial; well-preserved prints in excellent condition tend to be worth more than those with damage or wear.

    The image itself and the fame of the artist are important factors to consider as well; if the print is a popular work by a renowned artist, this can significantly boost its value, but even lesser-known works by the same artist may still be worth considerable sums. Additionally, prints from widely recognised editions or those with a strong market history often offer more buyer confidence, which can increase their value.

    That said, there are exceptions to these trends, as factors like provenance and unique characteristics can sometimes outweigh the usual rules.

    How do I authenticate my Antony Gormley print?

    To authenticate your Antony Gormley print, start by checking for any certificates of authenticity (also known as COAs) or accompanying documentation. Some artists have specific methods for verifying prints, such as unique signatures, stamps, or marks. The process can vary by artist, so researching their particular practices is a good idea.

    We can assist with this process before sale to ensure proper verification.

    Is a signed or unsigned print more valuable?

    Signed limited edition prints generally hold the most value. Some prints – like chromolithographs or offset prints – are reproductions and aren’t limited in number unless the artist signs them, thereby restricting production. Other print methods, such as lithographs, involve unique processes but still typically need to be signed to hold significant value. In most cases, the artist’s signature is crucial in confirming both the print’s authenticity and its rarity.

    What if I don’t have proof of purchase or provenance?

    If you don’t have proof of purchase or provenance, it can affect the value of your print, depending on its age and artist. For mid-20th-century artists like L.S. Lowry, formal provenance may not be available, as these prints were often produced at lower costs before the art market grew. However, for modern prints by reputable artists like Banksy, full provenance is typically expected and essential for establishing value. Without provenance, verifying authenticity through expert authentication may be necessary.

    How should I assess the condition of my artwork?

    When assessing the condition of your artwork, look for three main types of damage: stains and marks on the surface of the print, fading to the artwork, and glue mounting. 

    Stains and surface damage, like foxing (small brown spots), are usually fairly easy to see, especially on older prints. It’s also worth checking for frame or mount burn, which can occur when non-acid-free materials react with the paper, causing discoloration.

    Fading occurs when ink loses colour due to prolonged UV light exposure, and it is irreversible. While stains, marks, and other surface damage may be restorable, fading cannot be fixed. 

    Glue mounting is another factor that can impact the condition of your artwork. Prints were once glued to cardboard mounts to keep them flat, but this can cause damage and is difficult to reverse without further harm to the print.

    Should I restore my artwork if it’s damaged?

    In general, it’s often worth restoring a print if the damage is salvageable within a reasonable budget. However, determining that budget can be tricky. For example, you wouldn’t likely spend £3,000 restoring a print by L.S. Lowry that’s only worth £5,000, but spending the same amount on a Banksy print might be more justifiable due to its higher value.

    We can offer advice on whether restoration is worthwhile before sale to help you make the best decision for your artwork.

    When is the best time to sell my Antony Gormley artwork?

    In reality, there’s no perfect time to sell your print—timing the market is difficult, and hindsight is always clearer. What matters most is handling the sale as effectively as possible, whether by securing the highest private offer or entering an auction with a substantial marketing budget and a broad private buyer base. It’s worth noting that local auctions may not be the best option for high-value prints. At Mark Littler Limited, we can advise on the best course of action, whether through auction or private sale.

    Where can I sell my Antony Gormley artwork?

    The most common route to sell prints is through auction, but not all auctions are equal. While local auctions may seem like a convenient option, there’s no substitute for the depth of expertise and specialism offered by larger, well-established auction houses. They provide better marketing, reach, and the confidence that comes with expert auctioneers who can assure buyers of the print’s value. Alternatively, you can also sell privately. At Mark Littler Limited, we can assist with both auction and private sale options to help you choose the best route for your print.

    What are the pros and cons of selling via auction vs. private sale?

    Auctions have the advantage of being able to transact prints quickly, typically within a three to six-month period. There’s also the potential for “auction fever,” where buyers may bid more than the print’s expected value. Auctions can sometimes achieve higher prices than galleries or dealers, as buyers feel they have control over setting the price. However, auctions come with more risk: the reserve price can’t exceed the low estimate, and the estimate must be attractive enough to draw in buyers.

    Private sales offer more security, as the sale price is guaranteed, eliminating the risks associated with auction. However, private sales aren’t always possible for every print. At Mark Littler Limited, we can help you decide whether auction or private sale is the best option for your print, and in some cases, we can even facilitate private sales.